Poems available online
(UPCOMING) Abandoned Mine: "Invasive" (2024)
(UPCOMING) Eunoia Review: Falling in Love" {reprint}, "Dawn," Dusk at Woodward Park," "The Frangipani in My Mom's Backyard," "Unromanticized," and "My Dad Never Said What it's About"
San Antonio Review: "Your First Tablao" and "Peony Bush and Boy" (2024)
Star 82 Review: "Walking Shorts" (2024)
Mad Swirl: "I Love You for Sentimental Reasons" (2024)
Poetry Breakfast: "For You I Swim" (2024)
3rd Wednesday: "Basketball — Age 7" (2024)
Amethyst Review: "Four Songs of Devotion" (2024)
Canary: "Red Panda" (2024)
The Common Language Project—Ascent: "Off My Career Track" [pages 28–29] (2024)
GriffinPoetry: "Revelation" (2024) {reprint}
Jerry Jazz Musician: "On the Way to the Airport" (2024)
AUB International Poetry Prize 2023 – Digital Anthology: “Forward March” [page 28] and "Empty Bag" [page 30] (2024)
Jerry Jazz Musician: "Fingers" (2024)
Creative Writing Ink: “How It Turns” (2023)
Aura Review: "Kneeling Beside My Body" [page 39] and "Itinerant" [page 56] (2022)
The Society of Classical Poets: "A Southern Italian's Reply to Shakespeare" (2022)
Pinesong: “Pioneer” [page 19] (2022)
The Dewdrop: “After a Day of Others’ Demands” (2022)
Ekstasis: “Many-spectrum Glance, Many-colored Gleam” (2022)
Star 82 Review: “Let the Wind Have the Ashes” (2022)
River Heron Review: “What I Heard” (2021)
Equinox: "A Line from the Local News" [page 18] (2021)
The Closed Eye Open (featured in Maya’s Micros): “Transport” (2021)
Nightingale & Sparrow: “Song” (2021)
The Dewdrop: “There Was Never a Door” (2020)
hais: a literary journal: “Conviction” [page 47], “Ecstasy” [page 48], “Cycle” [page 49] (2020)
Hoot: “Revelation” [at bottom of page] (2018)
The Dead Mule School of Southern Literature: “Middle School News,” “Second Date” (2018)
Heron Tree: “Winter Offering” (2017)
Porridge Magazine: “Heat Lightning” (2017)
Wild Plum: “Sunlight on water” [page 6] (2017)
Fourth & Sycamore: “Falling in Love,” “Forest Dream,” “Anchor” (2017)
One Sentence Poems: “If you live with a person long enough” (2017)
Right Hand Pointing: “On the Camino de Santiago” (2017)
Rise Up Review: “Labels” (2017)
Star 82 Review: “Mockingbird” (2017)
The Literary Nest: “The Phases of the Moon” (2017)
West Texas Literary Review: “Green Tea” (2017)
The Wire’s Dream: “Aging” [page 137] (2017)
Star 82 Review: “Coming Back” (2016)
Poems available in print and/or digital purchase
(UPCOMING) BRILLIG: a micro lit mag: "Prenuptial" and "Speed Dating at a Used Bookstore" (2024)
(UPCOMING) The Main Street Rag: "Trumpet Player Improvising" (2024)
Ink in Thirds: "Breakup" [vol. 5 i.2] (2024)
BRILLIG: a micro lit mag: "Gratitude", "Pouring Uncle Rich's Ashes into the River", "Untitled" (2024)
Crosswinds Poetry Journal: "Caught in My Net Worth" (2024)
Pinesong: "ENGL 261—Seminar in Writing Poetry—Wednesdays 6:00–9:50" (2024)
Ponder Review: “What Remains” and "Old Home Videos" [Issue 7.2] (2023)
Crosswinds Poetry Journal: “Edelweiss” (2023)
The Florida Review: "Stolen Moments" [Issue 47.1] (2023)
Aesthetica: "A Benediction: Permitting the Absence of Tears While Mourning" (2023)
Akitsu Quarterly: "Revisiting Hokyoji" (2022)
Carve: “Sunrise” (2022)
Snapdragon: “Communion” (spring 2022, "Pleasure")
Aesthetica: “Oil on Canvas, Believed Unfinished” (2022)
Cloudbank: “Across Quarantine” (2021)
San Pedro River Review: “29 Miles Outside Raleigh” [Vol. 12 No. 1] (spring 2020)
SLAB Literary Magazine: “Dead Bird” [Issue No. 12] (2018)
Pinesong: “Rain strums the web” (2017)
The Main Street Rag: “Blue Redux” (2017)
Avalon Literary Review: “Acceptance” (2017)